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  • Guided Tours
    • The real queens of the Louvre
    • Claudel vs Rodin
    • Danger! Women at work
    • Ghosts of women past in the Père Lachaise
    • Avant-garde reframed in the Pompidou Centre
    • Women, crafts and power in the Middle-Ages
  • Artists and News
    • Slashing Venus: Suffragettes and vandalism
    • Gendering the Louvre: an introduction
    • Sarah Bernhardt (1844-1923)
    • Rosa Bonheur (1822-1899)
    • Rosalba Carriera (1675-1757)
    • Judith Leyster (1609-1660)
    • Berthe Morisot (1841-1895)
    • Ann Radcliffe (1764-1823)
    • Elizabeth Siddal (1829-1862)
    • “Mrs Dalloway” by Virginia Woolf
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  • Guided Tours
    • The real queens of the Louvre
    • Claudel vs Rodin
    • Danger! Women at work
    • Ghosts of women past in the Père Lachaise
    • Avant-garde reframed in the Pompidou Centre
    • Women, crafts and power in the Middle-Ages
  • Artists and News
    • Slashing Venus: Suffragettes and vandalism
    • Gendering the Louvre: an introduction
    • Sarah Bernhardt (1844-1923)
    • Rosa Bonheur (1822-1899)
    • Rosalba Carriera (1675-1757)
    • Judith Leyster (1609-1660)
    • Berthe Morisot (1841-1895)
    • Ann Radcliffe (1764-1823)
    • Elizabeth Siddal (1829-1862)
    • “Mrs Dalloway” by Virginia Woolf
  • About
    • FAQ
    • Resources
  • Partners
    • Women of Paris
    • Paris avec Charlotte
  • Contact
  • Français
  • English
Berthe Morisot, Bergère Couchée, 1891

Berthe Morisot (1841-1895)

“To capture something that is happening – oh, something!”

Rosalba Carriera (1675-1757)

“The art of treating that kind of painting in a way no one had ever done before”

Rosalba Carriera (1675-1757)

Sarah Bernhardt (1844-1923)

“Don’t fret my dear, stage-fright comes with talent”

Sarah Bernhardt (1844-1923)

Ann Radcliffe (1764-1823)

“She kept herself apart, shrouded and unseen”

Ann Radcliffe (1764-1823)

“Mrs Dalloway” by Virginia Woolf

“Mrs Dalloway said she would buy the flowers herself”

“Mrs Dalloway” by Virginia Woolf

Judith Leyster (1609-1660)

The discovery of her star monogram on canvasses enabled scholars to re-instate the authorship of her oeuvre

Judith Leyster (1609-1660)

Elizabeth Siddal (1829-1862)

“Art was the only thing for which she felt very seriously”

Elizabeth Siddal (1829-1862)

Gendering the Louvre: an introduction

“Do women have to be naked to enter the museum?”

Gendering the Louvre: an introduction

Rosa Bonheur (1822-1899)

“As far as males go, I only like the bulls I paint”

Rosa Bonheur (1822-1899)

Slashing Venus: Suffragettes and vandalism

Deeds not words

Slashing Venus: Suffragettes and vandalism

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Laure Nermel

06 44 89 85 37
nermellaure@gmail.com

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